SHERRY JUSTUS • • • In Place essay • • •

In Place essay - a photographic essay in four sections

In Place
Nowhereland
Roots/Routes
Local Color
Sanctuaries
In Closing

In 1995 I moved from a high-rise condominium apartment complex with 562 units in New Jersey to a rural town of about 1,000 people in Texas. The condo building had more residents than the town.

One impetus for this move was my weariness at the unremitting ugliness in my environment. I wanted to rest my eyes on natural beauty. I was also motivated by a need for a slower lifestyle, for "peace and quiet." I wanted to give myself more time to look and more felicitous things to look at.

Lyndon B. Johnson, 36th president of the United States, described his feeling for his homeland in the Texas Hill Country this way:

"I guess every person feels a part of the place where he was born. He wants to go back to the surroundings he knew as a child…And through the years, when time would permit, here is where I would always return, to the Pedernales River, the scenes of my childhood. There’s something different about this country from any other part of the nation. The climate is generally pleasant; the sun is generally bright; the air seems to be clean; and the water is pure. The moons are a little fuller here; the stars are a little brighter. And I don’t know how to describe the the feeling, other than I guess we all search at times for serenity, and it’s serene here."

I believe that many people in America feel this way. We are bombarded by daily visual intrusions that are not only ugly, but also common throughout our land. Route 1 in northern New Jersey assaults the eye in the same way that Route 30 does in western Pennsylvania. It is the story of more of the same, and all of it tacky. Unlike LBJ, we cannot always go home to an unspoiled landscape to recapture that elusive serenity.

But there are still enclaves of a less visually unwelcome time. Some can even be found in one’s hometown. There are periodic escapes from the relentlessly average, and they are balm for the eyes.

This project explores the relationship between the monstrous and the soothing in contemporary America. It is both hopeful and watchful in intent. We all need to be watchful lest the ugly multiply. We are hopeful because we are human.

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